Midas HD96-24-CC-TP Live Digital Console Control Centre with 144 Input-Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case
Features
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Live performance digital control centre with up to 144 simultaneous input channels and 96 kHz sample rate
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123 time-aligned and phase-coherent mix buses
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21" full colour TFT display screen with capacitive touch sensing
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Advanced and multi gesture, touchscreen user interface
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Award-winning Midas microphone preamplifiers
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HyperMAC and AES50 networking allows up to 480 inputs and 480 outputs @ 96 kHz sample rate
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Dual Network Bridge Format Converter with up to 128 Bidirectional Channels and Asynchronous Sample Rate Conversion
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24 VCA (variable control association) groups, and 24 POPulation groups
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Up to 48 assignable 1/3 octave Klark Teknik DN370 graphic equalisers
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Up to 24 multi-channel digital signal processing effects engines
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Integrated Bluetooth and wireless transceiver module
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Dual ULTRANET Ports providing 32 additional digital outputs
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28 MIDAS PRO motorised 100 mm faders
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Fully interpolated touch sensitive controls
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Optional wireless remote control with remote application
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Dual redundant auto-ranging universal switch-mode power supplies
Heritage History
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The Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one.
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The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice.
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Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing.
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Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve.
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Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought provoking new features such as Channel AI (yes, Artificial Intelligence).
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This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.
The Graviton Mk 2 Processing Engine
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At the heart of every mixing console is the most important part – Audio. Overlooked by other manufacturers, we have always put sound at the top of our priority list.
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It was hard, almost impossible, but we improved on the legendary Midas digital sound with our new 64-bit summing mix engine with increased dynamic range. Driving a Midas has never been easier.
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The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filtering effect is so very important. Many other consoles simply ignore this crucial part of the audio signal path.
Flexi-Aux
- The Flexi-Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.
Specification
Processing
| Input processing channels |
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| Output processing channels |
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| Point-to-point routing matrix |
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| Signal processing |
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| D/A converter |
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| A/D converter |
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| Sampling frequency |
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| I/O latency (surface input to output) |
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| Input audio processing |
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| Output audio processing |
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| Mixing control assistance |
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Connectors
| Midas microphone preamplifier |
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| Balanced outputs |
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| Talkback connector |
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| Talk connector |
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| Headphone connector |
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| Digital AES3 input / output (XLR) |
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| AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s) |
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| Snake (copper) |
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| Snake (fibre) |
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| CM1 expansion slots |
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| Ultranet |
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| Word clock IN |
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| Word clock OUT |
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| AES3 sync IN |
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| AES3 sync OUT |
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| External (Ethernet) connector |
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| Monitor output |
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| USB 3.0 type A hub |
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| USB 3.0 type A (fader port expansion) |
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| USB 2.0 type A (front surface data) |
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| Diagnostics Port |
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| MIDI |
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| Lamp |
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| IEC mains socket with power switch |
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Input / Output Characteristics
| Surface input impedance |
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| Non-clip maximum input level |
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| Input gain |
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| Phantom power (switchable per input) |
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| Talk mic impedance |
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| Talk mic gain |
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| Talk mic max level |
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| Talkback impendance |
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| Talkback gain |
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| Talkback max level |
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| Surface output impedance |
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| Surface output gain |
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| Surface output max level |
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| Dynamic range |
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| Maximum voltage gain |
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| Crosstalk at 1 kHz |
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| Crosstalk at 10 kHz |
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| Fader / pan cut off at 1 kHz |
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| Fader / pan cut off at 10 kHz |
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| Headphones output impedance |
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| Headphones maximum output level |
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Displays
| Display screen |
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| LCD info displays |
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| Input meters (quantity 30) |
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| Output meters (quantity 7) |
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| Channel comp meters (quantity 28) |
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| Channel gate meters (quantity 28) |
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| Comp meter (quantity 1) |
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| Gate meter (quantity 1) |
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Controls
| 100 mm motorized faders |
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| Touch-sensitive rotary controls |
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| Custom controls | |
| Fully assignable rotary controls |
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| Fully assignable backlit buttons |
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| Headphone controls |
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| Talk |
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Physical
| Operating temperature range |
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| Storage temperature range |
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| Dimensions (H x W x D) |
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| Weight without flight case |
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| Weight with flight case |
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